If you’ve never been to the Garden of Ninfa, now in the month of May is one of the best times of the year to visit. About an hour south of Rome, the English style garden is set in the ruins of a medieval town.
From the Garden of Ninfa official website:
Though in ruins, Ninfa is a rare example of a complete medieval town. Abandoned for five centuries, it was described by the historian Gregorovius in the 1880s as the ‘Pompeii of the Middle Ages’. What we see today are the significant remains of a fortified town, encircled by a double girdle of walls, which reached its peak of prosperity between the 13th and 14th centuries. The urban layout is still clearly distinguishable, giving the garden a setting that appeals to the imagination. The main buildings, not all of them in good condition, are easily identified as the castle, the town hall (converted to a Caetani family house), and the churches of S. Giovanni, S. Biagio, S. Salvatore, and S. Paolo all situated along the outer walls.
The three photos posted here are from my visit to Ninfa last year at this time.
And go here for a quick video peek of Ninfa, provided from the BBC’s Italian Gardens series, hosted by Monty Don.
Though these are the days of clouds and rain in Italy, on Sunday the organizers of the International Orchid Exhibition in the village of Monte Porzio Catone, near Rome, were granted lots of sunshine and fair temperatures for their annual celebration of the exotic blooms.
We dropped by for a few hours to admire the brilliantly vivid displays of exhibitors. I posted my photos of the event at Demotix.com — you can see them here.
I started Early – Took my Dog –
And visited the Sea –
The Mermaids in the Basement
Came out to look at me –
Turbulent waves and high spray yesterday at Ostia Lido, the city of Rome’s Mediterranean seafront, didn’t deter two fishermen from tending to rod and reel. (Photo by Rebecca Helm-Ropelato)
I saw a thing of beauty this morning. And it was neither one of Italy’s gazillion art treasures or antiquities, nor something exclusive to this country. It can easily be found in many other places.
A piece of a branch from one of the sycamore trees that line the street near where we live had been snapped off and blown to the ground by last night’s winds. The small segment had come to rest near the curb between two parked cars.
It was the harmony achieved by its contrasting shapes that was most striking – the linear variety of the branch itself, the entangled geometry of the curled and dying leaves, and the delicacy of the seed balls hanging by their stalks. Enhancing all was a single hue of golden brown, saved from monotony by the range of textures composing each part of the branch.
Although torn away from the whole creation of the tree, the fallen piece remained complete in its altered form.
To see a world in a grain of sand
And a heaven in a wild flower…*
* William Blake, Auguries of Innocence
UPDATE: Today, while browsing my photo archives in search of another photo, I came across a long forgotten series of shots I made of the fallen branch (back in 2007). I’m posting one of these photos at the top of the blog, and moving yesterday’s shot of a sycamore tree in Rome to the bottom.
UPDATE 2: U-turn. Decided to take down the close-up photo of the branch and leave the imagination unfettered by the concrete.
We’re having a gray and rainy day here. Reminds me of a beautiful walk we took last year in similar weather along a section of Rome’s old Appian Way. I posted an audio slide show of the walk back then, narrating what we saw as we passed along. Here’s a re-post. (For best viewing, best to watch in full screen mode.)
Fall days don’t come much more beautiful than the one we had in Rome yesterday. A gently warm temperature and perfect sunshine created irresistible weather for spending time outdoors.
We headed off for a waterfront lunch and a leisurely meander along the wide boardwalk at one of the Eternal City’s best kept secrets at this time of year, its beachfront Ostia Lido.
It reminded me of a similar beautiful day we spent there in January of last year. Here’s a re-post of a slide show I put together of some photos I shot then.
Notwithstanding the disgruntlement of my beloved Speck (above), I am happy to announce the publication of my new book, “How to Live in Italy: Essays on the charms and complications of living in paradise.”
The book is a collection of essays that I’ve written during the past eleven years of living in this uniquely beautiful and bewildering place on the planet. The book is available in print edition and as a Kindle ebook. Pricing is user-friendly and, of course, it’s listed on Amazon.com.
From reviewers and colleagues some favorable words:
Rebecca Helm-Ropelato’s book is about the enjoyment of differences, of what they tell us about others and, above all, what they tell us about ourselves. This voyage of discovery of her other home looks afresh at everything we take for granted, from landscapes, architecture and clothes, through languages, ways of expressing ourselves and of being with others, to food, drink, and pride in what we are and what we do. From Italy, with love.” Back cover blurb, MADALENA CRUZ-FERREIRA, a multilingual scholar, educator and parent.
Rebecca opens by describing herself as an ex-pat. Literally she is correct, but philosophically she’s wrong. It’s that word ‘culture’ which is the giveaway. Having married an Italian and set up home near Rome she has definitively given up her ex-pat status by embracing her new way of life. This is wonderfully expressed in her approach to learning the Italian language – ‘Sheer hard work’ as Rebecca suggests – ‘it also helps me to see my own language in a fresh light and with greater appreciation. Replace the word ‘language’ with ‘culture’ and you have the essence of not being an ex-pat. From Philip Curnow, “Angels, and No Demons” Delicious Italy blog.
Why another book on the pleasures, oddities, and difficulties of living in Italy? It might seem that every stone, ancient and modern, in Bell’Italia has been overturned by every stripe of writer on earth, but for those of us who love Italy–whether through living there, visiting, or even just reading about it from afar–Rebecca Helm-Ropelato’s How to Live in Italy will stir our interest for the varied, rich, exasperating, wonderful life in Bell’Italia… Helm-Ropelato gives us a wonderfully restrained look at today’s Italy, with a self-deprecating attitude that is winning because it is so honest. From Gregorio, Amazon reader comment.
All this tooting of my own horn has exhausted me so I’ll stop here.
For more information about How to Live in Italy, and where to buy, the book website is here. To see the print and Kindle ebook listing on Amazon, go here (or see the book’s widget here on the right-hand column for more options.)
Special promotion: How to Live in Italy is available today and tomorrow to download free as a Kindle ebook (USA time zones apply).
View from childhood home of medieval poet Francesco Petrarch in Incisa, Tuscany
The medieval poet-theologian Francesco Petrarch is grandly known as the “Father of Humanism” and creator of the Petrarchan sonnet. For ordinary mortals, however, it’s more endearing that he could well be the patron saint of the lovelorn and broken-hearted.
As the story goes, while at church one day the 20-something Petrarch’s gaze fell on a beautiful woman named Laura. Though not a word was exchanged between them, he fell in love. Unfortunately for the young poet, Laura was married and happily so. The good news for poetry lovers and posterity, however, is that the heartbroken Petrarch spent the rest of his life writing love sonnets to Laura.
Here is a stanza from Sonnet 101, Ways apt and new to sing of love I’d find:
Ways apt and new to sing of love I’d find,
Forcing from her hard heart full many a sigh,
And re-enkindle in her frozen mind
Desires a thousand, passionate and high;
At the behest of his father, reportedly, Petrarch first studied law. He soon abandoned it, however, in preference for his first loves of writing and literature. His work and literary reputation in Europe were officially recognized in 1341 when he was named poet laureate in Rome.
On a recent visit to Incisa, a small town about twenty minutes south of Florence, we had a serendipitous encounter with a former living space of the medieval luminary. A friend we were visiting offhandedly mentioned that her new apartment is in the childhood home of Petrarch. She shared this tidbit just as we were climbing into our car to follow her through the town’s narrow streets to her front door.
Engraving on facade of childhood home of Francesco Petrarch in Incisa, Tuscany
Three minutes later we pulled up in front of a large medieval Tuscan residence, four floors of rustic design at the top of a steep hill. Originally built in the 12th century, it was the home of Petrarch’s maternal grandparents. Back in the day, it was within the protective security of the small city’s protective walls. The walls are long gone, but the house still has its tranquil view of the green valley below with the Arno river winding through it.
The newborn poet came with his parents from a nearby town to live in Incisa soon after his birth in July 1304, according to historical accounts. He remained there through his early childhood.
Unlike the celebrated and elegant villa Arquà Petrarca (now a museum) in a northern region of Italy where Petrarch lived out his last years, the more humble Incisa structure is much less wellknown. Its history also is more troubled. The line of family inheritance to the property was broken in succeeding centuries, according to local sources.
The residence did continue to be recognized up until the end of World War II as a one-time home of Petrarch. It housed a small museum and library dedicated to the poet. In the chaotic aftermath of the great war, however, the residence fell into abandonment and neglect.
City councilman Gianfranco Mazzotta overseeing the restoration of childhood home of Francesco Petrarch
On our recent sunny day in Incisa, we were fortunate to bump into a lead player in the restoration of the former Petrarchal home there, local city councilman Gianfranco Mazzotta. In fact, when we first saw him, Mazzotta was energetically wielding a mop to clean the floor of the newly completed public meeting room on the lower level of the Incisa structure.
Do your city council members in the US do this? he calls out, smiling as he held the dripping mop aloft.
In a complicated arrangement, the ownership of the former Petrarch home was previously held jointly by private owners and by the Italian state. Mazzotta recounted to us the sometimes thorny process of negotiating a fair sales price of the state’s share of the property to the city of Incisa. His pride in his ultimate success in the battle is evident.
Completion of the full renovation of the Casa Petrarca is expected to be a year from now, at which point it will be open to the public. In addition to the public meeting room, the residence will comprise a small museum and a library celebrating the poet.
Casa Petrarca, childhood home of Francesco Petrarch in Incisa, Tuscany
Two images from a walk we took Sunday along a short stretch of the old Roman road, via Appia Antica.
Yesterday, Italy lost one of its multi-generational popular music icons, Lucio Dalla. The singer-composer was on tour in Switzerland, according to news reports, cause of death a heart attack. Dalla was only three days away from his 69th birthday.
Outside of Italy, Dalla may be bestknown as the composer of the song “Caruso” which was recorded by several musicians, most prominently Luciano Pavarotti, Andrea Bocelli, and Josh Groban.
Click on the screenshot above to see a video of Dalla performing “Caruso” with Pavarotti in 1992.
Man walking his dog in the snow
We don’t often get snow in our neck of the woods here near Rome, and when we do it’s usually no more than a three-minute wonder. But recent weather forecasts predicting arrival of the beautiful white stuff were raising my hopes.
So yesterday, I loitered near our front windows watching the steady fall of the rain, hoping for the magical transformation into winter wonderland. Finally ’round midnight, my vigil was rewarded. I would say at least five inches fell — and it’s still here!
I’ve often wanted to take a photo like this. With the perfect light we had here yesterday, my wish came true.
It is a brilliant stroke by Romano Prodi in an interview yesterday with Spiegel Online International when he parries a challenge from the interviewer by asking bluntly “Is Germany better off with the euro or without it?”
The interviewer has just referred to German PM Angela Merkel’s stated opposition to eurobonds, and to Germans’ fear that it is primarily Germany that will carry the financial burden for the bonds. Excerpt:
SPIEGEL: …By now, Chancellor Angela Merkel appears to be completely isolated, with all partners exerting huge pressure on her. Will that be effective?
Prodi: That is the way politics works. But let’s be rational. Is Germany better off with the euro or without it?
SPIEGEL: With the euro.
In a later section of the interview, the subject of a “two-speed” Europe comes up. Here also, Prodi offers an interesting perspective. And he goes on to talk about a major criticism that he says he hears increasingly voiced about Europe’s power globally.
You can read the full Q&A here, which also includes some discussion of the current and past state of things in Italy.
I do wish Prodi hadn’t retired from Italian politics (and I’m not the only one).
Popped into Rome this afternoon to have our first look at the MAXXI museum which opened only last year. Full name: MAXXI – National Museum of the 21st Century Arts.
I liked the reflection of the blue sky, white clouds and nearby buildings in the museum’s big window high above, so I snapped a few photos, as you see.
The Guardian has a slide show here, if you want to see more.
One of the key events on which the United States is founded is the historical act of citizens refusing to pay their taxes – celebrated by patriots as the Boston Tea Party. So it puzzles me a bit when I hear some of the descendants of these same brave revolutionaries routinely jeer at Italy as a place where people don’t pay their taxes.
One, the blanket condemnation isn’t true. Many Italians do pay their taxes. But for those who don’t, a chart published in the Globe and Mail last Friday offers some justification for the tax-dodging. It shows Italians being taxed at the third highest rate in the developed world (“Tax revenue as a percentage of GDP in the developed world” July 29, 2011).
Tax rates in the US, in contrast, are among the lowest, according to the chart, with the country ranking third from the bottom.
Creating special effects with their snapshots is especially popular when tourists visit Pisa and its famous leaning tower. On a trip there last May, photographer Tarcisio Arzuffi also found the temptation irresistible. With a little help from his friend Andrew, he framed a fun optical illusion.
Explaining how and why he created the photo, Tarcisio wrote:
Last May I spent a couple of days in Savona (Liguria) for a meeting. The weather was okay but a little cloudy and cold. I was hoping for better weather on the long six-hour trip back home to Rome. When I left with my friends Andrew and Walter it was just a gorgeous day.
We decided to take the coastal highway. Along the way, after passing the beautiful white marble caves of Massa Carrara, we saw the exit sign to Pisa, and since no one of us had ever seen the famous leaning tower we decided to take a detour.
The cathedral with the leaning tower is really worth seeing. We walked the whole “Campo dei miracoli,” the square around the cathedral, and then… I saw the photo: the light was great (6 p.m. I think the light is at its best, right where you want it). I only had to work a little on the composition with the help of Andrew so that his hands are in the right place and his feet also, so that it looks like he is really pushing the tower. I also found the right balance between the height of the tower and that of Andrew, and then the right zoom.
We rewarded ourselves with some awesome cones of gelato artigianale, the famous Italian ice cream, almost as famous as the leaning tower!
Vittorio Arrigoni was a young Italian activist who dedicated his life to defending human rights. In 2008, this commitment led him to Gaza aboard one of the Free Gaza Ships. Arrigoni chose to remain in Gaza to work with the International Solidarity Movement.
In April of this year, Arrigoni was abducted and killed. The documentary below, “Staying Human,” was made before Arrigoni died. In the film, he talks about his life and his work as an activist and why he chose to live amid the dangers and deprivation of Gaza.
Life-sized bronze statue of She-Wolf nursing Romulus and Remus in the namesake hall, La sala della Lupa, of the seat of the Italian parliament in Palazzo Montecitorio in Rome. Photo by Tarcisio Arzuffi (June 2011).
Describing the photo in an email to me, Tarcisio wrote:
This year Italy celebrates its 150th year of national unity. Last week I had the opportunity to be in Palazzo Montecitorio, the seat of the Italian parliament, and there I took this picture. It represents the symbol of Rome — the two children Romulus and Remus raised by a She Wolf. This bronze statue sculpted in natural dimensions gives its name to the most known hall of representatives in Montecitorio: La sala della Lupa. The colors you see next to the Lupa in the photo are the Italian flag.